The literary works of Hope Eghagha grew in ten years (1998-2008) from one play, Death, Not a Redeemer, to nine other titles in poetry, fiction, drama and biography. This growth, when assessed in the ratio of output/time, indicates on the one hand, a degree of prolificacy, which suggests that as a writer Eghagha has mastered his craft. On the other, it indicates a need for critical discussions such as have been assembled in this compendium.

If Eghagha has shown industry and skill by meticulously growing his oeuvre in a way that reveals discernible patterns of craft or ideas – as some contributors to this volume have claimed – he will in no time become the subject of increasing critical discourse. His works would, for example, enter the literature syllabi of colleges and universities, not just in Nigeria, his country, but also in other places where serious attention is paid to literary and cultural productions in the postcolonial world.

Patrick Oloko, the editor of the collection, has been teaching courses in Nigerian literature at the University of Lagos since 1999 and has obviously seen the need for a work of reference by experts, that could aid readers, particularly students, to make sense of some writers, whether new or old. This volume serves that need by being a descriptive guide, broad in its purview, but detailed enough to address pressing issues that the writings of Eghagha bring to the fore at the moment.